Salmagundi drawathon

Studies from a recent workshop

My 2 latest paintings

Pat and Julie • 11.5"x14" • oil on cradled masonite • February 2013
(2 day pose) 

Freddy • 11.5"x14" • oil on cradled masonite • March 2013
(one day pose)

Max Ginsburg's "Unemployed On Line"

Max Ginsburg    "Unemployed On Line"    Oil on Canvas    40" x 80"    2013
(click image to enlarge)

From Max:

I just finished my new painting, "Unemployed On Line".  In this painting I am concerned with "good" and "evil",  the "have nots" and the "haves".  Corporate profits are soaring while people are losing their jobs and their homes.  People are being restricted and channeled and losing their rights.
A tragedy and injustice in our times.  I wrote an article about the development of this painting which will be printed in the September issue of the "Artist's" magazine.

Congratulations to my mentor for completing this epic painting. It was an honor to be one of the people chosen to pose for this!

Day trip to the Delaware Art Museum

Some detail shots of inspiring paintings from the Delaware Art Museum.

 

(Pyle detail)

limited palette... yellow, green, red, white

(John Everett Millais)

Check out those stripes!! Every single stripe was perfectly drawn, so charming!

(Pyle detail)

Green rats with crimson shadows. It's a complimentary color party!

(Dress detail)

Yellow fabric with purple shadows. Gorgeous! 

Cynthia

Cynthia • 12"x16" • oil on linen • Summer 2012

Tonight is opening night of Contemporary Currents in Chelsea!

Here is a short video taken by the multi-talented John Colasante of us setting up!

mini paintbox update

I just realized that I hadn't posted an update of the state of mini paintbox. I added this hinged wood flap a while back. I cut it out of one of my old palettes and use it to hold my oil and Turpenoid cups. After I flip the flap open I clip the cups to the edge and then clip it under for storage.

Sheepshead Bay

 Sheepshead Bay • 6" x 8" • oil on canvas • August 2012

This is a little study that I did this past Tuesday in Sheepshead Bay, Brooklyn.  Trying to capture floating/moving objects was definitely harder than I thought. Godzilla concurs :)

Sharon's Garden

Sharon's Garden • 16" x 20" • oil on linen • August 2012

I took a day trip to L.I. yesterday to visit my friend/ classmate Sharon and paint in her lovely backyard.

I already knew it is not fun to carry a wet painting on the NYC subway and now I know it is equally not as fun on the LIRR, especially at rush hour! I definitely want to find a way to consolidate my painting gear so I don't look like a circus freak when I step on the train. Maybe I should try to make a heavy duty backpack to hold my Russian easel? Hmm

Tsering

Tsering • 20" x 24" • oil on masonite mounted on stretcher bars • August 2012

Esteban

Esteban • 20" x 24" • masonite mounted on stretcher bars • July 2012
2 week pose

Sky (unfinished)

Here is an unfinished painting of Sky from the beginning of July. Measures 18" x 36". Please excuse the creepy monster arm :D 

I really like working in this format, so I am thinking of unstretching this canvas and reusing the stretcher bars soon.

Studying a modern master

I just ordered Richard Schmid's "The Landscapes" from Utrecht this week. This large format book is chock full of inspiring outdoor scenes that will keep me busy for a while pouring over the masterful technique. I am headed back to Central Park this Sunday for some plein air painting, so Schmid's "Sunday Morning Central Park" is an absolutely perfect painting to study before I head out. 

I did a small study last Friday of the Bethesda Fountain in C.P. that I will post soon.

Red-faced

I found a red watercolor pencil that I forgot I even had, so I put it back in action.  A water soluble pencil is fun to use to get down the initial drawing quickly.  I think some new colors are in order though...maybe a brown and a blue.

Fear not the heat wave...maybe

Round 2 on my plein air painting in Dumbo. Everyone warned us that we were going to croak from the heat, but we (Barbara, Ken, and I) set up comfortably on a bench under a tree.  B brought her shade buddy for extra sun protection, we had a fine selection of cookies and beverages, and a breeze at times. It was good. We even ended up in the middle of a wedding ceremony, so I had to take a break from painting to witness a couple wed on the rocky sand portion of my landscape view.

Later that evening I cracked open my new watercolor sketchbook and painted this green girl from a black and white photo.  I'm starting to love the idea of using a limited palette...

Betty

 
Betty • 24" x 30"• oil on canvas • June 2012

2 week pose

Bucket seating for plein air painting

I noticed in a photo of David Kassan's subway demo he is using bucket seating. I never thought about it before, but it is a great idea for plein air painting because you can use the bucket first to carry your supplies and then flip it over to use as a seat.  It would be cool to create a little cushion on the top for comfort and then a fabric insert to hold/easily remove your supplies.  Maybe the insert can be zippered on top too... I have an 18" inch grape juice/wine bucket that would be perfect to try this out with!

Painting a figure composition by my teacher Max Ginsburg

(click image to enlarge)

"Unemployment Line",  a work in progress by Max Ginsburg.

Here is an outline of how he begins painting a figure composition:

1. Conceptual pencil sketches.
2. Painting studies of each model.
3. Compositional pencil sketches based on the painting studies.
4. Place a one inch grid over the compositional study to be used which, in this case, is 4" x 8".
5. Stretch a canvas, 40" x 80", the same proportion as the sketch, and draw a 10" grid.
6. In charcoal approximate the position and size of the figures.
7. Paint, in a direct alla prima manner, each model as a loosely painted block in from life.  So far in this painting each model posed 3 or 4 hours.
8. When all the models and background have been blocked in the development of the forms and the composition will proceed, with the models returning for several sessions each.

Yesenia •  16" x 20" • oil on canvas • June 2012

2 week pose. Shadow coming in from the right not on actual painting. Can anyone recommend a camera that does not cause distortion for under $500-600?